| Dulce's
ART:
Sculpture with a
Woman's name - Who is Dulce... |
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I belong to a very artistic family. My father is
Ricolopez. As a child I was surrounded by his work, his
canvases, brushes and paint and all of his
art books and art touched me in many ways. Specially the nudes with their
powerful forms.
I started drawing in charcoal and
Conte crayons and I was always attracted to the human body, specially the female
body. I attended the " Bellas Artes School" in
Valencia and I also studied medicine at the " Facultad de
Medicina" in Valencia.
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Solitude
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African soapstone- The solitude of the female, its voluptuous form arising
to being. Private Collection
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Dulce Maria participates
in the exhibition " Unfolding the Mind" Friday, November 4th,
2005 sharing the space with her father, artists Ricolopez. The
exhibition will continue through November 29th , 2005 at AZUCART Gallery
in Coral Gables, Florida.
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Opening of
the exhibition " Unfolding the Mind" Friday, November 4th,
2005 sharing the space with her father, artists Ricolopez. The
exhibition will continue through November 29th , 2005 at AZUCART Gallery
in Coral Gables, Florida.
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Dulce's
exhibit at the International Fine
Arts Exhibition Iberoamerican Artistic Development
at One Brickell Square Gallery in Miami April
2005
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Participation
at the Fine Arts Exhibition Expressions of Iberoamerican Art 2004 at The
Wirtz Gallery in Miami, August 2004.
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Dulce Maria's participation
at the Fine Arts Exhibition Expressions of Iberoamerican Art 2004 at The
Wirtz Gallery in Miami, August 2004.
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Exhibition
at the Exposicion
Pictorica Iberoamericana y Homenaje Patrio at the Tower Theater
in Miami, July 2004.
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Participated
in the Hemispheric Congress of
the Zcommerce and Latin Industry Chambers at the Radisson
Covention Center in Miami during March 2004.
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International
Fine Arts Exhibition Iberoamerican
Artistic Development and Integration 2004 at One Brickell Square Gallery in Miami, February 2004.
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The female form is exuberant
and so sensual, loving, nurturing, soothing. It is about shapes to
be looked at, touched, explored, admired and experienced. Almost
all my drawings and sculptures are of women and women's parts.
I had the need
to express myself in a different
way, a more plastic way, one where I could interchange my energy with the
medium. This is why I became interested in sculpture. I studied Interior Design
in
Miami and took Architecture, nude drawing and Art classes at Miami
- Dade Community College. At that moment
is when I discovered the need to deconstruct the human form into parts
like the Deconstructivism method in Architecture.
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I was also influenced by the
cover of a feminist book of the 70's. The cover was the photograph of the
skin of a female body, hollow, hanging from a hanger as if ready to be
used and disposed. It made a very deep impression in my soul and since
then I have been obsessed by the female form. I started experimenting with plaster, it was soft,
giving and I could play with it. The female forms started to appear with
all their sensuality.
One day I felt the desire for something more
permanent, more challenging and it is then when I discovered stone, its
beauty and appeal. I
attended Sculpture workshops in San Diego, California, under the Maestro
de la Pietra, Ante Marinovic during the summer of 2003.
I
was specially drawn to the
contrast of the hard stone with the female's soft form, the emphasis on
the curves, the protuberances and the voids that invite us in, the organic
experience of nature as rock and flesh. Two opposites becoming one in HER.
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Spirit -Black
and White Colorado Alabaster on African Cedar and Black Marble base.
Female forms, the Spirit of what is Female.
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Muse -
Pink Colorado Alabaster on Italian Translucent White Alabaster - Female torso emphasizing the hips as the
grounding form of a woman. Private Collection.
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Rebirth
- Brazilian
soapstone -Female forms unfolding becoming Woman freeing itself.
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Essence of
Women - Brazilian Soapstone- Female voids and mounds becoming One.
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Glow - Orange
Utah Alabaster on Italian Translucent White Alabaster. Private Collection.
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PLASTER:
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In my sculptures the female
representation is related to women's sexuality and our freedom to express
it, the need to recognize it and embrace it.
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My sculptures must be seen
from all sides. One form interlaces
with another in a continuous dance, in a intricate symphony of bursting
sensuality. Void spaces and bulging round forms.
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The sexual forms
holding us
like chains asking to break away. My female
forms are born and freed liberating all that is female, all the power
within a woman's essence.
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Evolution
- Brazilian Soapstone - Folds forming into what she is.
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Drawings:
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I strive for the
freedom of everything female and my way to achieve it is to free the woman
from within the stone and bring her to life, to be seen and be touched. My
work needs to be touched by the eyes and hands of those who recognize it
and get stirred by it.
I am also inspired by poetry. My
prime inspiration is and always has been Pablo Neruda's " Twenty
Love Poems" sensuous symbolism of love and earthly flesh yearning.
Words inspiring my mind and passion transforming in the form of the hard
stone becoming the soul of my most fervid imagination.
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If you are interested please
Contact
DULCE MARIA
To see more of Dulce's
Sculpture click
here.
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